Housing the Classes

The social class you ranked in has normally always predetermined the house in which you lived in. The 18th and 19th centuries are no different. The upper class lived in lavish, extremely wealthy castles and mansions, while the middle and working classes lived in housing steps below this. However, nothing truly compares to the grave differences that were so visible in the housing of the classes in the 18th/19th centuries.
The upper class dawned houses with their lavish curves, outer walls decorated with wildfires and river motifs (Banerjee).  They were generally referred to as

  • impressive townhouses
  • grand apartment buildings
  • extravagant and fanciful castles

Building at the corner of Bayswater and Palace Court<

1 Palace Green

The middle class was just a step down from this outlandish display of wealth. Commonly occupied by:

  • academia
  • lawyers
  • businessmen

The middle class lived in homes that resembled and complemented Italianate features and the nearby St. Raphael’s Roman Catholic Church (Banerjee).

http://www.victorianweb.org/art/architecture/normanshaw/7.jpg

The Hardy Family's Cottage

The working class however lived in the true slums. Always fighting with

  • overcrowding
  • health hazards
  • filth and stench
  • improper waste management

Migrants were forced to cluster “around the already congested central districts close to the markets” just to ensure their jobs (Wohl).

More can be learned about the treatment and disparities of the working class in Anthony Wohl’s novel, The Eternal Slum: Housing and Social Policy in Victorian London.

Mixen Lane, Casterbridge

An Old Cottage, Elstead, Surrey

Wohl, Anthony S. The Eternal Slum: Housing and Social Policy in Victorian London. 3. New Brunswick, New Jersey: Transaction Publishing, 2009. Print. http://books.google.com/books?hl=en&lr=&id=1IgeAuQNm_UC&oi=fnd&pg=PR6&dq=housing in the Victorian era&ots=byZcwUSlVu&sig=dZRADDdx41woU0lRbZaWr3Vs87E>.

Banerjee, Jacquline. “Homes in the City and Suburbs: Housing in Victorian England.” Victorian Web (2008): n.pag. Web. 5 Sep 2012. <http://www.victorianweb.org/art/architecture/homes/housing2.html>.

The Class Perspective

In reading the articles written by Soloway and Guttman, one phrase that has been spread throughout history comes to mind. “Beauty is in the eye of the beholder”.  The underlying means of perspective, is relative to Class and can be subjugated into the separating lines of money. Economically gifted and blessed with the everlasting coin purse, the upper class of society view beauty in the means of the figures on a price tag. Stated in essence by Soloway, perspective on a given occurrence can be changed by the physical elevation, rotation, and overall movement of the camera lens. These changes of perspective can make and break the difference on the object at hand. Like that of the physical possessive world of pricey items. The segregating of class is like that of the camera lens. For however unbiased it may be, the power it holds is relative to acquired assets. As different subjects from geography to natives can be taken in a means to find beauty, a correlation can be made through class and the ambiance it brings. The camera is used like a time machine to capture the beauty of varying objects allowing for no two pictures to be the same, for whether the picture is rough and jagged to smooth and peaceful. The differences can be seemingly interwoven with the varying class of society. From the working class, to the trust fund babies, varying means of beauty are captured in the ways that they live their lives and decorate themselves in clothing and jewelry.